With its rather ambitious name, The Museum of Everything provides an interesting take on the idea that anyone can contribute to a museum collection. It claims to be “the only international space dedicated to untrained, unintentional and unseen creators” of today.
The first Museum of Everything exhibition included over 800 drawings, paintings, sculptures and installations, chosen by well known artists and curators and was presented during the Frieze Art Fair in London this time last year. Their second exhibition, which I had the pleasure of visiting, was at the Tate Modern during their 10th Anniversary and ‘No Soul For Sale: A Festival of Independents’. In asking previously unexhibited and unknown artists of Greater Britain to bring their work to be selected, curated and displayed they created what could be seen as the ultimate participatory museum experience: the creations of the ‘ordinary visitor’ became the collection in a context renowned for exhibiting the worlds most famous artists. For Exhibition #3, their new show which has just opened in London the idea of non-traditional art is extended. The show is curated in collaboration with Sir Peter Blake, a British pop artist and a collector whose collections of self-taught art, found objects and anonymous artefacts inspire his own work.
The Museum of Everything is an interesting exploration of not only of the participatory experience but also the temporary, mobile and collaborative potential of the museum.